THREE:

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THREE:Mme. de Genlis had friends amongst old and new, French and foreign. The Vernets, Mme. Le Brun, Mme. Grollier, Gros, Gerard, Isabey, Cherubini, Hal��vy, all the great singers and musicians were among her friends. She lived to see the first years of the brilliant, too short career of Malibran. Pasta, Grassini, Talma, Garat, and numbers of other artistic celebrities mingled with [481] her literary friends. The household of Isabey was like an idyl. He had met his wife in the Luxembourg gardens, a beautiful girl who went there to lead about her blind father. They married and were always happy though for a long time poor. But the fame of Isabey rose; he was professor of painting at the great school of Mme. Campan, where every one under the Empire sent their daughters. He painted Jos��phine and all the people of rank and fashion, and received them all at his parties in his own h?tel. Mme. Isabey lived to be eighty-eight, always pretty and charming. Her hair was white, she always dressed in white lace and muslin, and had everything white in her salon, even to an ivory spinning wheel.

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THREE:On one occasion the Duc de Richelieu so far departed from his usual habit as to recommend to the Duc de Fronsac a lad who bore a strong resemblance to himself, begging him to give him a post in his household and look after him. Fronsac, struck with jealousy of this prot��g�� of his father��s, did all he could to corrupt and ruin him, taught him to be a gambler and reprobate, and finally led [379] him into collision with himself in some love intrigue, challenged him to a duel, and killed him.

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THREE:She had had great success in the number of important pictures she painted at Naples; and her [107] career at Rome was equally prosperous. She had plenty of money now, and nobody to meddle with it, and if it had not been for the constant anxiety about France she would have been perfectly happy. But French news was difficult to get and bad when it was obtained.CHAPTER IX

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THREE:She was constantly surrounded by perils and temptations which to many would have been irresistible. Admiring eyes followed her at the theatre, people crowded round her in the gardens and places of entertainment, men of rank who wanted an opportunity of making love to her had their portraits painted by her for that purpose; but she treated them all with indifference, and when she noticed that their looks and glances were too expressive she would coolly remark: ��I am painting your eyes now,�� or would insist on the portrait being done with the eyes looking in another direction.

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